Aug 082012
 

I love the fact that Raekwon and CNN have collaborated quite a few times during the last years, even if the resulting songs have been so-so.

This one, though, that I missed last year, is that shit; grimy, project hallway, back-and-forth rhyming, dope game folklore that we’ve learned to love and expect from these artists.

a legend never seen like a Chupacabra

Aug 072012
 

The track that Iceberg did with Brother Marquis, the one that Jay-Z lazily took big bites out of years later, is classic. Never seen this before, though.

Maybe ’cause I’ve never been a fan. 2 Live Crew are OK, but missing that boom and that cold mechanical sexy that I normally associate with Miami Bass and similar styles. Seriously, their songs sample guitars and shit.

During my endless hours researching this article, I also discovered that 2 Live Crew were pioneering that pants-hanging-below-your-nutsack lifestyle a quarter of a century before Main Attrakionz rocked shows in the Bay Area, or Slim Dunkin (R.I.P.) graced the cover of this mixtape. And them FILA shoes are sick.

Aug 032012
 

Hell Razah crying over an unorthodox 4th Disciple instrumental. This is the kind of modern New York blues that Nas always strives to but is never able to create.

Hell Razah got more classics, though:

Very strong and personal intro here…

Kickar den för kidsen i sin hemort.

Welcoming you to his hood, together with Shabazz The Disciple.

One of the only dope “bring back real hiphop”-songs ever.

Check out more of his material here.

Jul 312012
 

Riff Raff owes giant pieces of his swagger to Gucci Mane and Lil B. That’s normal. It’s nothing for me to say that. That’s common ledge-knowing. But wait.

The homies over at Pure Baking Soda don’t just bless the nets with incredible rapper-related illustrations, they have also blessed us with two clues to the genesis of Riff Raff’s style some time ago… Dallas rapper Big Tuck… and fellow Houstonian and Swishahouse signee Lil Ron.

Listen to the songs linked, and then slap some Riff Raff. The similarity is undeniable, shocking, revelatory.

Now take a look at this interview with Bizzy Bone from some 14 years ago (I think I first found it on imnotatoy.com, but when I looked for it there again, I did not find it).

Bizzy’s pronunciation of words and the rhythm which with they roll out his mouthpiece, the obtuse angle that he’s eyeballing the host at, his finely (yeah, somewhat femininely) executed humour and wordplay, his all over dramatic demeanour, his dramatic fashion sense, with the braids, glasses, facial hair, animal prints, and so on; is he Riff Raff’s biological father or do they merely share a spiritual kinship?

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